Exploring doctoral narratives
There are many ‘stories’ of the PhD experience. Some are written by candidates, some by supervisors, others by researchers/authors. They take various forms including journals, articles, books, blogs, websites and learning landscapes. Various genres are employed—narrative, journal, dialogue and so on.
For example, in her role as a doctoral supervisor in the UK, Salmon (1992) draws on the experiences of ten of her students to outline what’s involved in achieving a PhD. Reimer (1998) makes his own doctoral experience a central theme of the book Confessions of an Accidental Academic. A recent publication by Vilkinas (2005) describes the experiences of ten PhD students from the University of South Australia and their supervisors. Entitled The Thesis Journey: Tales of personal triumph, this 66-page publication contains “students’ personal accounts of their research passage”. PhD Weblogs is currently recording the experiences of over 300 people enrolled as PhD candidates across the globe.
Many conventionally published narratives are rich with description, and often provide critical insights and helpful tips for those who are—or are about to—embark on their PhD. The language is often highly metaphorical—taking journeys, making voyages, climbing mountains, scaling cliffs, giving birth, paddling canoes, conducting pilgrimages, being forged in fire—to mention just a few. At the same time however, many of these narratives focus primarily on the highs and lows, the trials and tribulations, the agony and the ecstasy associated with ‘doing a PhD’.
While personal narratives certainly have their place, they can sometimes include therapeutic, confessional or evangelical overtones, and be limited in terms of scope. Hence, I am keen to locate and explore a wider range of stories and approaches to writing about contemporary doctoral practices. I am particularly interested in the concept of poly-vocal narratives and intertextuality. To that end, I would welcome leads, suggestions and feedback with regard to identifying a more comprehensive range of PhD stories and innovative approaches to writing about doctoral practices today, for example,
- by a variety of authors—e.g. individual candidate, peer, supervisor, researcher, writer, employer, partner, friend ... as well as other forms of authorship ...
- in a variety of genres—e.g. narrative, thesis, case study, fiction, dialogue ...
- in a variety of contexts—e.g. disciplinary/multidisciplinary, full/part time, individual/team, world of work, commercialisation, globalisation ...
For example, in her role as a doctoral supervisor in the UK, Salmon (1992) draws on the experiences of ten of her students to outline what’s involved in achieving a PhD. Reimer (1998) makes his own doctoral experience a central theme of the book Confessions of an Accidental Academic. A recent publication by Vilkinas (2005) describes the experiences of ten PhD students from the University of South Australia and their supervisors. Entitled The Thesis Journey: Tales of personal triumph, this 66-page publication contains “students’ personal accounts of their research passage”. PhD Weblogs is currently recording the experiences of over 300 people enrolled as PhD candidates across the globe.
Many conventionally published narratives are rich with description, and often provide critical insights and helpful tips for those who are—or are about to—embark on their PhD. The language is often highly metaphorical—taking journeys, making voyages, climbing mountains, scaling cliffs, giving birth, paddling canoes, conducting pilgrimages, being forged in fire—to mention just a few. At the same time however, many of these narratives focus primarily on the highs and lows, the trials and tribulations, the agony and the ecstasy associated with ‘doing a PhD’.
While personal narratives certainly have their place, they can sometimes include therapeutic, confessional or evangelical overtones, and be limited in terms of scope. Hence, I am keen to locate and explore a wider range of stories and approaches to writing about contemporary doctoral practices. I am particularly interested in the concept of poly-vocal narratives and intertextuality. To that end, I would welcome leads, suggestions and feedback with regard to identifying a more comprehensive range of PhD stories and innovative approaches to writing about doctoral practices today, for example,
- by a variety of authors—e.g. individual candidate, peer, supervisor, researcher, writer, employer, partner, friend ... as well as other forms of authorship ...
- in a variety of genres—e.g. narrative, thesis, case study, fiction, dialogue ...
- in a variety of contexts—e.g. disciplinary/multidisciplinary, full/part time, individual/team, world of work, commercialisation, globalisation ...